I saw a terrific film yesterday, Winter's Bone, more on that later. Sadly my ability to truly appreciate the film was hindered by some of my fellow audience members. First there was the couple who brought a five course meal. It seemed that every morsel was tightly wrapped in the most crinkly paper ever made. When they weren't rifling through and undoing the bags, they were loudly unscrewing bottle caps and doing what sounded like tearing down a load bearing wall. Finally and simultaneously me and some other patrons expressed our outrage and they put a stop to the cacophony.
Meanwhile and throughout the film, there was a gentleman seated towards the back of the theater who on occasion let loose gargantuan yawns (if they reflected his feeling about the film I'm sure he was brain damaged). I'm equally certain that it is possible to, if not totally suppress a yawn, at least not exaggerate it.
Not to be outdone, one patron's cell phone started ringing and, wouldn't you know it, she had trouble finding it and then turning the bloody thing off. Here's a tip: turn of your cell phone before the movie starts.
The last straw, and yes the very one that fractured the camel's back, came during the climactic scene of the film. Two ladies thought it a good time start discussing the movie. Here's another tip: wait until a film is over before talking about it.
It would have been a really good occasion to see a terrible film, but darn the luck I saw a real corker. I just can't justify spending nearly ten bucks to sit where my fellow man or woman are liable to ruin my experience. At the same time I can't yet give up the big screen experience nor can I stand to wait for the DVD to see certain films. Maybe I should start packing a taser....
As for the film I'll just say I fell in love with the heroine and the actress who played her (and I don't mean in some icky romantic way, she's a 19 year old playing a 17 year old). The character of Ree Dolly and the actress who played her, Jennifer Lawrence, should rightfully be among the iconic screen personas of all time. She was that good. Her creation was that good. That's what I fell in love with. The performance.
Ree is tough times ten. She's in a seemingly impossible situation but doesn't give an inch, or for that matter a millimeter. The setting is the Ozarks, Ree's a high schooler who must raise her younger siblings as her father is physically absent and her mother mentally so. They will lose the house, which was put up for bond, if dad doesn't show up in court and he's nowhere to be found. Ree must find him, dead or alive. People who might help are more than just a little reluctant to do so. Dad and others are, after all, in the business of cooking meth.
It's a bleak landscape full of ignorance, danger and hard simple truths. Ree navigates with an unrelenting purposefulness. She will not back down or be intimidated. So she's a young girl among mean tough men, what of it? She'll look 'em square in the eye then go back home, skin a squirrel and teach her brother and sister how to use a rifle.
Hardscrabble existence? Damn near apocalyptic.
Lawrence will be in a film called The Beaver, directed by Jodie Foster starring...oh my goodness...Mel Gibson, to be released later this year. She has two other films in pre production. If she doesn't become a major star then I'm an even bigger idiot than you originally thought. But at least I don't make noise in movie theaters.
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